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      <image:title>blog - Tá ligado, mano?</image:title>
      <image:caption>Foto: Fernando Schlaepfer/Divulgação</image:caption>
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      <image:title>blog - Retrato de la favela en el diario de Carolina</image:title>
      <image:caption>Delante de la academia Paulista de Letras: no es candidata.</image:caption>
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      <image:title>blog - Retrato de la favela en el diario de Carolina</image:title>
      <image:caption>Recoger papel es el sostén de la familia. Vera Eunice, su hija, la acompaña.</image:caption>
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      <image:title>blog - Retrato de la favela en el diario de Carolina</image:title>
      <image:caption>Lata de agua en la cabeza, como las Marías de todas las favelas.</image:caption>
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      <image:title>blog - Retrato de la favela en el diario de Carolina</image:title>
      <image:caption>Mesa de cajones, cuaderno y lápiz: Carolina retrata la favela.</image:caption>
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      <image:title>blog - Retrato de la favela en el diario de Carolina</image:title>
      <image:caption>Canindé, su mundo lleno de miserias y desencantos. En su chabola hay cuadernos que esperan el registro de lo que vivió y sintió.</image:caption>
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      <image:title>blog - Retrato de la favela en el diario de Carolina</image:title>
      <image:caption>Carolina Maria de Jesus vive en un mundo de cartón y zinc que retrata fielmente. Su diario es un interesante documental sobre la vida en la favela.</image:caption>
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      <image:title>blog - Margo Channing</image:title>
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      <image:title>blog - La dificultad de reconciliación</image:title>
      <image:caption>Dos bodas en una misma sala. Una, pública: Homer y Wilma (Cathy O'Donnell). La otra, privada: Fred y Peggy, bajo una espléndida aura.</image:caption>
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      <image:caption>Peggy (punto de vista subjetivo) mira a Fred desde el coche.</image:caption>
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      <image:title>blog - La dificultad de reconciliación</image:title>
      <image:caption>Al escucha a Homer Parrish (Harold Russell) tocar el piano mientras Fred sigue al teléfono, al fondo del bar.</image:caption>
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      <image:title>blog - La dificultad de reconciliación</image:title>
      <image:caption>Al, al fondo, dando un discurso frente a sus compañeros del banco.</image:caption>
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      <image:title>blog - La dificultad de reconciliación</image:title>
      <image:caption>Al Stephenson (Frederic March) abraza a su mujer Milly Stephenson (Myrna Loy) a lo lejos mientras sus hijos Peggy (Teresa Wright) y Rob (Michael Hall) se mantienen en primera línea.</image:caption>
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      <image:title>blog - La dificultad de reconciliación</image:title>
      <image:caption>Fred pide trabajo. Al fondo, los grandes almacenes, su nueva realidad.</image:caption>
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      <image:caption>Al observa cómo Fred Derry (Dana Andrews) llama por teléfono a su hija Peggy (Teresa Wright).</image:caption>
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      <image:caption>Pero Fred y Peggy salen a comer y nuestro acercamiento hacia ellos en el restaurante comienza desde la distancia.</image:caption>
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      <image:caption>Al comprueba que Fred sigue, al fondo, al teléfono.</image:caption>
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      <image:caption>Al es grabado desde el fondo, regresando a primera línea para atender a un cliente en sus primeros días de trabajo.</image:caption>
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      <image:caption>Peggy (punto de vista subjetivo) mira a Fred desde el coche.</image:caption>
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      <image:caption>Cuando Peggy y Fred salen de comer, los observamos desde lejos, hasta que echan a andar hacia primera línea, entre los dos coches.</image:caption>
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      <image:caption>Homer, incapaz de acercarse a su familia.</image:caption>
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